The Pentax 17 Half-Frame Film Camera Review

The Build

First off, this camera is a beauty. It’s got that classic 35mm look but with a modern charm, almost like an X100VI. It's a stylish accessory — whether around your neck or on your wrist — and compact enough to slip into your favorite purse or shoulder bag. Compared to the Long Weekend 35mm camera, which has a more sporty, retro vibe, this model is sleek and classic, perfect for those looking to capture street shots or candid moments with a bit more intention.

Aesthetically, it’s a 10/10. But, the plastic body does make it feel a bit cheap, which can pull you out of the experience. It lacks the weight and solidity of higher-end 35mm options, reminding you it’s more of a disposable-level camera with similar specs to other half-frames — meaning it can’t quite compete in resolution or quality with full-frame models. However, its lightweight design makes it a great travel companion or a perfect “option B” for creators who want something to capture personal moments or casual shots in between the professional ones.

Despite the plastic body, the dials feel nice to the touch, and the advanced lever adds to its vintage-like appeal. The shutter is quiet yet solid, making it stealthy for shooting intimate moments that would be ruined with a loud “click”. You’ll need to listen carefully to know if you’ve actually taken a shot — a bit of a blessing and a curse for a film camera.

The zone focus is subtle, so I often forget to adjust it to the right distance. But once you get into the habit of re-focusing, the manual process adds a fun, tactile layer to the analog experience.

The Image Quality

Overall, the image quality is really lovely for a half-frame. It’s not as sharp as a Canon AE-1 or Contax T3 and doesn’t have the high resolution of other 35mm investments, but it's still impressive for a modern camera that won’t let you down the way some older models might from eBay. The images are crisp and clear, especially in bright light or if the flash is used at nighttime. Each shot has that unmistakable film look, with tasteful grain and a vintage color quality that 35mm fans love.

Most of the settings can be fully automatic, so you don’t have to worry about nailing exposure for each shot — meaning more of your roll turns out well (good for your wallet). However, since there’s no option to adjust the aperture, you don’t always know if you’re hitting the sharpest setting. Even so, the odds are usually in the photographer's favor.

The Drawbacks & Cons

While this camera is super fun and easy to use, there are some drawbacks and a few notable downsides worth mentioning. Nothing too serious, but still something to keep in mind.

The focus metering is a tactile, engaging way to shoot, but I found myself wondering if some of my blurry shots were due to user error or the camera itself. I specifically remember shooting close-up subjects, only for the images to come out blurry, even with the proper settings. Maybe the learning curve for getting the perfect distance from a subject takes some practice, but it’s frustrating that I had to go through a few rolls to figure this out.

Then there’s the White Dial Mode — a programmed mode meant for non-flash photography, which felt a bit unreliable. Many of my shots were still underexposed, so I’m not entirely convinced of this mode’s effectiveness. Personally, I’m a fan of using flash on 35mm film, so I’ll be more cautious with this mode in low-light situations next time. I also tried the “night mode,” designed for slower shutter speeds to handle dark scenes, but those shots turned out really blurry and even more overexposed. But hey, this could all just be user error!

Is The Price Worth It?

I was a bit shocked at how pricey it is for a half-frame, especially since you can grab a cheap Kodak H35 or Ilford Sprite for a fraction of the cost. But the quality of the Pentax definitely surpassed my expectations, and is still way better than the random ones you’d find on Amazon or Target. The ability to manually adjust exposure and focus gave me the confidence to really work the camera to my advantage. This isn’t just a white-label model with standard dials — Pentax clearly put a lot of thought into this body for serious analog enthusiasts. Given that other photographers seem to love this camera, too, I know I’m not alone in my opinion. While it’s still a bit steep for a half-frame, the fact that you get 72 shots on a standard 35mm roll (compared to the usual 36) makes it feel like a great deal.

How To Get the Most Out of a Half-Frame

The Pentax 17 is awesome, but it’s quirky. Here are a few tips to help you get the best results from your half-frame shots.

Getting High-Resolution Scans

Since this is a half-frame camera, your scans won’t have the same resolution as full-frame cameras because the smaller sensor captures less data. I highly recommend selecting a high DPI when scanning at home or choosing the "highest resolution" option at your lab. This way, you can make the most of your images without ending up with grainy, degraded copies.

Auto Mode is Still Ideal

Even though I had a few blurred shots, I’d still recommend shooting in Auto Mode for most users. It generally ensures solid focus and well-exposed images, especially for subjects 8–10 feet away. With zone focusing, maximizing your depth of field helps keep your subject sharp, so I'd avoid close-up macro shots or food stills.

Flash is Fun

Some people aren’t fans of film flash, but I love it — it adds a creative flair and ensures your party selfies have that super retro look. Flash typically guarantees a well-exposed and focused image, as the camera tends to focus more accurately when the flash is simultaneously deployed.